Murtaza Vali Artists & Audiences Photo G Mannes-Abbott
CLICK on image to link to SAF & more images or read on below…
Murtaza Vali moderated another of the central panels during this March Meeting; Artists and Audiences. One which spoke from the UK, the USA/Dubai, Palestine, Taiwan and Qatar to an audience far more diverse in its locations. Vali spoke of a radical “rethinking of the artwork as a situation that requires an audience to complete it”, something which new media has helped generate as well as being some of its sites. As he said, this raises many issues but “the really big one [is] what is it exactly that we mean by the word audience?” If audience activates the artwork then how does the artist/artwork/institution ‘activate’ the audience? How is theory made new practice?
It’s a tough question which the panel bounced around but didn’t ‘dunk’. Louise Hui-Juan Hsu from the Museum of Contemporary Art Taipei, Taiwan, for example, reminded us that the “translator in this case, is beyond the translation of words”. Abed al Ju’beh, who runs the Khalil Sakakini Cultural Centre in Ramallah, Palestine, spoke of the singularity of his literally captive audience. I’d not seen him since the leaving party at his home in the South-east of England 5-6 years ago when he took up this post. Ramallah is at the heart of a giant open air prison where, he said, the audience comes looking for confirmation of their existence. It’s an audience which the Sakakini reaches out to with a residency programme strictly for local artists. Continue reading “notes from a meeting, on throwing forth – artists and audiences [day two pt1]”
The Country of the Blind and Other Stories Installation shots CAMP with GM-A Folkestone Triennial [ongoing]
CAMPuter.org now has a good page on the film here with cat. text, shot-lists, stills, credits… There’s also a link here to pad.ma where the film is archived…
But I strongly recommend heading down to Folkestone, not only to see the film in situ where it’s installed beautifully and offers optimised-viewing, but also to see all the other art on show throughout a fascinating town. The harbour tastes irresistible and in the pubs on the water front a version of the film is always looping…
Folkestone Triennial’s page is here and they have weekend tours conducted by some high calibre guides not least this weekend with Achim Borchardt Hume here. It takes 53 minutes to get there…
Thanks everyone for the positive feedback.
In the Country of the Blind and Other Stories Installation NCI Folkestone [Ph. Guy Mannes-Abbott]
Adrian Searle’s review in The Guardian is so generous about the film I’ve been working on with Shaina, Ashok and Iyesha [CAMP] that I can’t help but post it.
“In the National Coastwatch Institution cabin, perched on a cliff above Folkestone, the volunteer guards scan the sea. Mumbai-based collective CAMP recorded the view, the constant traffic plying the Channel, and the volunteers’ casual commentary The result is an almost hour-long film recorded over a year. French church spires break the horizon, seen through a telescope. We follow tankers and canoes, ferries and fishing boats – and there’s the archbishop of Canterbury, helping out at an archeological dig along the coast, his hair a white, fluffy windsock in the distance. The artists in Mumbai recorded the observations and anecdotes of the volunteers via broadband. It’s a case of the watchers watched, and we watch too, following near-collisions out at sea, and blokes hauling up lobster pots. “Lobsters are giant Jurassic insects,” someone says. I’d happily stay all day.”
Read the piece here.
AS’s warm words had a warm affect, though I would only point out that it’s not a documentary and say no more -other than that Fruit Store loyalists and Dostoyevskians shouldn’t need me to!
Read the letter from the man, jocularly referred to as the ‘archbish’ on the soundtrack, here! And beware similar assumptions!
Probably should resist saying that I agree with him about the ill-judged mermaid too… I was too involved to see very much else other than Zineb Sedira’s very beautiful and complex film installation Lighthouse in the Sea of Time. I’ll post on what I think might well be her best work so far in time and definitely take the 57 minute train back for more of the Triennial and more of Folkestone itself too…
PV Friday 24th 8-Late
Opens to public Saturday 25th June – 25th September
Don’t miss this at the NCI on the east cliff [best view in and of the town]:
CAMP (Shaina Anand, Ashok Sukumaran, Iyesha Geeth Abbas, with Guy Mannes-Abbott)
Title: The Country of the Blind, and Other Stories
go, go , go…
The Varne NCI Folkestone’s channel map [Ph. Guy Mannes-Abbott]
The Varne is a mid channel sandbank, slightly closer to the French coast than the coast at Folkestone. If I stood on it, you might see my hand waving above the water. This is where the Varne Lightship Automatic of radio legend is permanently anchored, where massive ships can and do run aground. A place that obtains peculiar potency when watched from the shore.
Everything that goes on in the world’s water, as observed and imagined from the NCI at Folkestone, is the subject of the film I’ve been working on with CAMP -during intensive bursts in Brussels and Folkestone itself. The Country of the Blind, and Other Stories will be installed in a bunker-like room at the back of the NCI Folkestone, high up on the cliffs overlooking the industrial scaled port of Folkestone and English Channel during the Triennial. It will be worth the walk…
Folkestone Triennial opens on Friday 24th June and to the public on the 25th June until 25th September. Continue reading “on the varne, with CAMP at the folkestone triennial”
Patrick Leigh Fermor – still from BBC film 2008
Ninety six is a good age to have lived. Both my grandmothers lived into their mid-90s, one of them to 96, a pivotal experience in my own life. Why am I telling you this?! Well PLF is such a vivid presence to me, principally from his writing and words and their conjuring of his feet and ‘heart’, that the news of his death is sad and yet the confirmation that he lived until today makes me happy. Continue reading “on the living of patrick leigh fermor”