McKenzie Wark’s Capital is Dead (Verso) launches in New York on October 9th and later in the month in London (21st TATE Modern, 24th Foyles). This note is just a small celebration of that fact, linking to the conversation published in the current excellent issue of TANK magazine and here: https://tankmagazine.com/issue-80/features/mckenzie-wark/
Capital is Dead is an urgently rewarding read, as well as a summation of sorts for the author and much of her work in this century. This clip from the published text should alert you to the unorthodoxies it engages and the energy applied too!
The New Vulgarian came out at about 4000 words in the end, Continue reading “note_22 With McKenzie Wark for TANK; radical vulgarity vs “genteel Marxist… cops” ;)”
Trying to locate the original manuscript of my novel of 78 fragments, I came across a lot of things. One of them was this; a nicely calibrated collaboration with my dear friend Simon English for Grant Watson’s Victoria which must have been hand-produced in 1998? Unbound, A3, in editions of 200 it seems, a warm and civil experience all around, and in happy company.
D is Guy Mannes-Abbott, Double and Twist is Simon English (Ph GMA)
D or ‘d’ actually, was a very early e.things text from autumn 1997. The circle of what were the first hundred Continue reading “note_19 D is for danger; live your danger, live dangerous. Victoria Vol. 3”
Rivering the Roding started in the mud above; September 2014, as you can see if you scroll to the bottom (this one of many* returns!). These tweets are obviously incidental scraps but they do suggest or ghost if not exactly tell a story (again; bottom up). It’s a story about London, thinking like a river, which requires articulation (#rivering) and for me to show what such ‘thinking’ might be. I am coming in to land (circling back and now very close to the muddy confluence), and yes, you can start to hold your breath. Please 😉 Continue reading “note_16 #Rivering 2014-2019 (scraps, almost there…)”
Take these essays at difficult things inside you, let them pulse through your body and mind. And to your heart, yes. It may require more courage – in Britain, in English- than even I conceived in the last months of 2004. Courage and none at all, because these are a range of essays -as the short review below makes very clear.
I’ve been trying to develop a measure of truth in the context of the Persian Gulf and the regime in Abu Dhabi in as universal way as possible from an inventorised location in London and in English. I settled on a millennium-old measure from an Arabic treatise on taste. More on that in links to publications to come, but it reminds me of the increasing difficulty of being able to recognise a Palestinian right to exist in Britain or in English. Continue reading “note_09 “It may require courage (but) take these marvelous essays to heart” Mezzaterra, Ahdaf Soueif”
“What was the identity between love and work,
or, the love found in working together?”
“Let’s draw focus on their passion: the love and work. The following is from Diana Souhami’s glorious book Gertrude and Alice:
‘“Our pleasure is to do every day the work of that day,’ wrote Gertrude, ‘to cut our hair and not want blue eyes and to be reasonable and obedient … Every day we get up and say we are awake today …’
… So we circle back to The Autobiography of Alice B.Toklas, which wasn’t of course an autobiography. What was it? […] Primarily, it was also an autobiography, but not of Alice. It was a biography: not one authored from outside, but from inside, albeit in another’s voice… I linger with this because while this is one of the most conventional prose-like works of Gertrude’s it is also properly strange. That is, Gertrude adopted Alice’s recognizable voice, exorcising as many Gertrudisms as she could identify, though not all, to write a memoir of her own life and times.”
-extracted from my text/talk COUPLING | Gertrude and Alice | July 2016.
Click through for links to Shumon’s piece and the Superhumanity project above and for the recording of the original event on G&E and Marina Abramovic and Ulay click my Readings_Talks button (where you can click on through to see/hear the other Couple Formats too).
“… condenses the most interesting currents in the region for at least two hundred years, the most potent of all the residues of port activity across the Gulf, the Arabian Sea, Indian Ocean and beyond…” -from Porting One (DXB)
Coming to a screen near you soonish 😉
This is just a short review of Said’s The End of the Peace Process: Oslo and After published by Granta, and circuitously critiqued and celebrated by me in The Independent, 3 October 2000. This paragraph struck me forcefully when I stumbled upon it; such rare qualities are getting rarer just about everywhere… However, rareness breeds rareness, right? When we lament the loss of Said’s voice, we also attest to it (mind/ rareness/ qualities) and renewed possibilities in the ruins. I am a radical optimist. You?
In Ramallah, Running in Almanac 2013 – article below
I will catch up on posting the wonderfully generous critical responses and cleverly probing interviews to and around In Ramallah, Running since its launch soon -and amongst other things.
But this one was a lovely welcome home to London after a month away in India: a sharp, perceptive and very gratifying response to my book and I have to post the review now!
That should not imply that others were not and will be, only that I have the time/opportunity today…
Almanac 2013 is worth tracking down in full and hard copy too by the way, meanwhile I attach clickable pages from the full article below: Continue reading “on the first review of in ramallah, running in 2013 -artasiapacific’s almanac 2013”
More details: http://www.mosaicrooms.org/in-ramallah-running/
In Ramallah, Running began with a writer’s residency at A.M. Qattan’s Ramallah base in 2010, so it gives me great pleasure to invite you to this launch-related event at al Qattan’s elegant Mosaic Rooms in London, part of the Nour Festival.
Intended as a celebration, it will include a short reading followed by a discussion with the esteemed critic and introducer of the book Jean Fisher, and the Abraaj Prize-winning Jananne al-Ani, whose contribution to the book is so subtly affective. The panel will be chaired by writer and critic Sheyma Buali of Ibraaz, etc. [ http://www.mosaicrooms.org/in-ramallah-running/ ]
I hope you’ll be able to join us and am sure The Mosaic Rooms would appreciate it if you were also able to RSVP: email@example.com / 020 7370 9990
For interviews, early reviews and further UK events, check here: http://www.g-m-a.net/index.php?/ramallah/news/
All are invited; please come; it’s never too late to firstname.lastname@example.org