notes from a meeting, from hubtastic to actual costs of moving, making, showing… [day 3]

Eungie Joo New Museum Photo G Mannes-Abbott

CLICK on image to link to SAF & more images or read on below…

A consequence of trying to write about the MM while presenting at it as well as attending panels, films and exhibitions [to say nothing about the barely glimpsed wonders of downtown Sharjah itself!] was that I missed some sessions. It would be invidious to select any that I particularly regret missing, especially as the quality of presenters and presentations was so high this year, so I will resist.

My Meeting day began with an in-conversation between Eungie Joo from the New Museum and William Wells from the Townhouse in which they talked about their Museum as Hub initiative. Continue reading “notes from a meeting, from hubtastic to actual costs of moving, making, showing… [day 3]”

notes from a meeting, on throwing forth – artists and audiences [day two pt1]

Murtaza Vali Artists & Audiences Photo G Mannes-Abbott

CLICK on image to link to SAF & more images or read on below…

Murtaza Vali moderated another of the central panels during this March Meeting; Artists and Audiences. One which spoke from the UK, the USA/Dubai, Palestine, Taiwan and Qatar to an audience far more diverse in its locations. Vali spoke of a radical “rethinking of the artwork as a situation that requires an audience to complete it”, something which new media has helped generate as well as being some of its sites. As he said, this raises many issues but “the really big one [is] what is it exactly that we mean by the word audience?” If audience activates the artwork then how does the artist/artwork/institution ‘activate’ the audience? How is theory made new practice?

It’s a tough question which the panel bounced around but didn’t ‘dunk’. Louise Hui-Juan Hsu from the Museum of Contemporary Art Taipei, Taiwan, for example, reminded us that the “translator in this case, is beyond the translation of words”. Abed al Ju’beh, who runs the Khalil Sakakini Cultural Centre in Ramallah, Palestine, spoke of the singularity of his literally captive audience. I’d not seen him since the leaving party at his home in the South-east of England 5-6 years ago when he took up this post. Ramallah is at the heart of a giant open air prison where, he said, the audience comes looking for confirmation of their existence. It’s an audience which the Sakakini reaches out to with a residency programme strictly for local artists. Continue reading “notes from a meeting, on throwing forth – artists and audiences [day two pt1]”