Take these essays at difficult things inside you, let them pulse through your body and mind. And to your heart, yes. It may require more courage – in Britain, in English- than even I conceived in the last months of 2004. Courage and none at all, because these are a range of essays -as the short review below makes very clear.
I’ve been trying to develop a measure of truth in the context of the Persian Gulf and the regime in Abu Dhabi in as universal way as possible from an inventorised location in London and in English. I settled on a millennium-old measure from an Arabic treatise on taste. More on that in links to publications to come, but it reminds me of the increasing difficulty of being able to recognise a Palestinian right to exist in Britain or in English. Continue reading “note_09 “It may require courage (but) take these marvelous essays to heart” Mezzaterra, Ahdaf Soueif”
Book Launch for In Ramallah, Running hosted at Delfina Foundation
12 September, 2012 at 19:00 – 21:00
Details of event in this link: IR,R launch at DF
Location/contacts in this link: IR,R launch DF
Please come …
RSVP to email@example.com
In Ramallah, Running by Guy Mannes-Abbott – July 26 2012
A brief word to celebrate the release of my book at last!
I’m attaching a copy of the Press Release which went out today with details about the book and its contents as well as contacts for review copies and further information.
In Ramallah, Running by Guy Mannes-Abbott | Press Release July 2012
I will update with news as well as details about a launch we will be having in early September, along with other readings, launch-related events, discussions and festival appearances in London, the UK and beyond.
I am running in Ramallah and it is in audio in the current issue of Manifesta Journal #14 which you can read online here, download the complete pdf here, or go straight to the Translated By pages here. Scroll down to where it says ‘You pick a random number’ and 3, etc., and listen to the audio of my excerpt. All this running makes it a bit less painful -and In Ramallah, Running proper will be here soon!
Do have a look at MJ14 edited by Rasha Salti et al and with some great sections; conversation with Naeem Mohaimen, and one on Joana Hadjithomas and Khalil Joreige’s Lebanese Rocket Society, the main monument of which stands today in a public square in downtown Sharjah -a SAF commission from 2010’s Biennial. Manifesta as such kicks off in Genk, Belgium this year of course; end of May slash start of June. Be there!
Translated By in a new configuration and new location. I’ve not made it yet but hope I might. There is also a new version of the book, edited by Shumon, Charles and Suna Kafadar and designed by Zak. I’ve not seen it yet, etc.!
Meanwhile, In Ramallah, Running has been painful too, but advances are promised by the publisher very soon now and I will of course share confirmed publication and other dates when I have them. Meanwhile, very good bound proofs are available for review and related purposes. Contacts are here in the pdf button at the top. Be in touch!
Murtaza Vali Artists & Audiences Photo G Mannes-Abbott
CLICK on image to link to SAF & more images or read on below…
Murtaza Vali moderated another of the central panels during this March Meeting; Artists and Audiences. One which spoke from the UK, the USA/Dubai, Palestine, Taiwan and Qatar to an audience far more diverse in its locations. Vali spoke of a radical “rethinking of the artwork as a situation that requires an audience to complete it”, something which new media has helped generate as well as being some of its sites. As he said, this raises many issues but “the really big one [is] what is it exactly that we mean by the word audience?” If audience activates the artwork then how does the artist/artwork/institution ‘activate’ the audience? How is theory made new practice?
It’s a tough question which the panel bounced around but didn’t ‘dunk’. Louise Hui-Juan Hsu from the Museum of Contemporary Art Taipei, Taiwan, for example, reminded us that the “translator in this case, is beyond the translation of words”. Abed al Ju’beh, who runs the Khalil Sakakini Cultural Centre in Ramallah, Palestine, spoke of the singularity of his literally captive audience. I’d not seen him since the leaving party at his home in the South-east of England 5-6 years ago when he took up this post. Ramallah is at the heart of a giant open air prison where, he said, the audience comes looking for confirmation of their existence. It’s an audience which the Sakakini reaches out to with a residency programme strictly for local artists. Continue reading “notes from a meeting, on throwing forth – artists and audiences [day two pt1]”
Horror, and happiness: Mourid Barghouti ( Rex Features )
By Mourid Barghouti, trans. Humphrey Davies
GUY MANNES-ABBOTT | FRIDAY 04 NOVEMBER 2011
Mourid Barghouti’s first volume of memoir, I Saw Ramallah, is a classic of the genre and a uniquely clear-eyed account of returning home after 30 years of serial expulsion. Barghouti is also the poet of displacement in general as well as its specific Palestinian form. In between the first and this second volume of memoir came Midnight & Other Poems – a first selection from many volumes of his poetry.
I Saw Ramallah wove a life of enforced absences into a moment of return to that city and the author’s home village of Deir Ghassanah in 1996, with prose of poetic concision. It ended with Barghouti recrossing an indelibly memorialised bridge over the Jordan river to collect a permit for his son Tamim, so they could return together. “He will see it. He will see me in it, and we shall ask all the questions after that.”
I Was Born… is that collection of “questions” Continue reading “on my review of mourid barghouti’s i was born there… in today’s Independent”