“Powerful and unconstrained conceptual and poetic tools establish the shorelines of Khalili’s sea, then, and it is here that global capitalism takes its tightly woven place. Sinews narrows its focus to the northerly Indian Ocean world, the Arabian and Red Seas, as well as the Persian Gulf itself … a stimulating read and a surefooted introduction to the subject, with deep pockets of research.”
Guy Mannes-Abbott – Third Text – August 2020
Laleh Khalili, ‘Sinews of War and Trade: Shipping and Capitalism in the Arabian Peninsula’
Verso Books, New York and London, 2020
Laleh Khalili announces the raison d’être of her new book, as well as its primary call on our attention, in the second sentence; ‘Ninety per cent of the world’s goods travel by ship’.  Within this overwhelming figure, 70 per cent of global cargo by value is carried by container ships, and 60 per cent of oil trade travels by sea. The resulting system of marine transportation is not, she continues, ‘an enabling adjunct of trade but is central to the very fabric of global capitalism’ (p 3). Sinews of War and Trade traces the histories of a fast-developing present, now centred on China as the ‘factory of the world’ and the Arabian peninsula as the infrastructural heart of flows through post-Independence era ports, with ‘Dubai’s Jabal Ali foremost among them’ (p 2).
Continue reading “notes_27 A global economy all at sea; its sinuous embrace of the Arabian peninsula with Laleh Khalili | TT”
Gold-tips in Abu Dhabi’s Emirates Palace Marina (GM-A, 2013).
IMBECILIC CONTINGENT INTRUSION(4)*
Everything we know about ourselves and our various shared and not well-shared histories affirms that systems of hermetic control never work for long, that consolidation hastens collapse. The more autocratic the regime, the messier the collapse. I will leave all of that to time, which will operate unerringly.
Meanwhile, to demonstrate a simple truth, we are going to plant a forest in DXB’s Terminal 3. It’s easy. Those of us who know the place will return from various ports in carefully staged flights that betray no joint venture. We will all be either prevented from getting on a flight, stopped at and detained at DXB, or held in the Deportees Room for some hours. Two of us at least will get in—to the airport, not the country!—and overlap in the Room on ROLEX time. We will take our allotted hour to find food in the Terminal and head up to our Costa rendezvous. We will have seeds of trees with us. We will be carrying gorgeous presentation boxes of fertilised roals or figs, like the kind from Aliya Dates Farm that I recall from a leather-lined yacht in Abu Dhabi’s Palace Marina.
Gifts, you see. Gifts of the Rolla tree, the put-upon-banyans, these potent embodiments of hopes, wishes and dreams for change. Continue reading “note_18 On the work Abu Dhabi banned from Sharjah (Biennial) 2019? #DXB”
DUBAI INTERNATIONAL (DXB) Connecting the World
As Nocilla Lab, the third part of Mallo’s Nocilla Trilogy is published by Fitzcarraldo Editions in the UK, I kick myself for not conjuring the time to review it or celebrate the Trilogy in critique. Also for not yet even trying to read Mallo’s more recent Trilogía de la guerra (Seix Barral, 2018) in its original, despite it appearing last summer. I’m buried, properly, in my own manuscript (RR) which is very close to completion. Horizons lift in 2019 and I will be writing shorter critical pieces, once more, amongst other things…
Mallo’s Dream and Experience are as good as each other in the suggestive vitality of their fragmentary form. They possess rare degrees of necessity and are, in the best sense, a minor literature, which means that you’ve not been reading at all if you’ve not read them yet! Put aside the Jo(h)nathan-literature, knowing you’ll miss nothing if you return to it in the future. Nocilla Lab works towards graphic elements in my 2009 Punto de lecture edition, which I struggled to bring alive with my old (LA) Spanish…
I was (re-)reading Mallo en route to a Residency in Sharjah, January-February 2017, and resisting the serial, fragmentary, and fictive, as ways to make the book I would start writing when I returned home two months later (with further Porting residencies scheduled for Aug 2017 and Feb-Mar 2018). It was not that a series of fragmentary texts with rhythmic associations would not be a natural way for me to write my river (an actual river, more of which to come). Continue reading “note_14 On reading Agustin Fernandez Mallo’s Nocilla Trilogy in DXB’s Deportees’ Room”