note_18 On the work Abu Dhabi banned from Sharjah (Biennial) 2019? #DXB

Gold-tips in Abu Dhabi’s Emirates Palace Marina (GM-A, 2013)

Gold-tips in Abu Dhabi’s Emirates Palace Marina (GM-A, 2013).

(EXTRACT)

IMBECILIC CONTINGENT INTRUSION(4)*

Everything we know about ourselves and our various shared and not well-shared histories affirms that systems of hermetic control never work for long, that consolidation hastens collapse. The more autocratic the regime, the messier the collapse. I will leave all of that to time, which will operate unerringly.

Meanwhile, to demonstrate a simple truth, we are going to plant a forest in DXB’s Terminal 3. It’s easy. Those of us who know the place will return from various ports in carefully staged flights that betray no joint venture. We will all be either prevented from getting on a flight, stopped at and detained at DXB, or held in the Deportees Room for some hours. Two of us at least will get in—to the airport, not the country!—and overlap in the Room on ROLEX time. We will take our allotted hour to find food in the Terminal and head up to our Costa rendezvous. We will have seeds of trees with us. We will be carrying gorgeous presentation boxes of fertilised roals or figs, like the kind from Aliya Dates Farm that I recall from a leather-lined yacht in Abu Dhabi’s Palace Marina.

Gifts, you see. Gifts of the Rolla tree, the put-upon-banyans, these potent embodiments of hopes, wishes and dreams for change. Continue reading “note_18 On the work Abu Dhabi banned from Sharjah (Biennial) 2019? #DXB”

‘i am running in ramallah and it is painful…’ in manifesta journal #14 online & at genk

I am running in Ramallah and it is in audio in the current issue of Manifesta Journal #14 which you can read online here, download the complete pdf here, or go straight to the Translated By pages here. Scroll down to where it says ‘You pick a random number’ and 3, etc., and listen to the audio of my excerpt. All this running makes it a bit less painful -and In Ramallah, Running proper will be here soon!

Do have a look at MJ14 edited by Rasha Salti et al and with some great sections; conversation with Naeem Mohaimen, and  one on Joana Hadjithomas and Khalil Joreige’s Lebanese Rocket Society, the main monument of which stands today in a public square in downtown Sharjah -a SAF commission from 2010’s Biennial. Manifesta as such kicks off in Genk, Belgium this year of course; end of May slash start of June. Be there!

notes from a meeting – on commissioning and reconfiguring risk [day one pt 2]

Hans Ulrich Obrist/Edgeware Road Project London Photo G Mannes-Abbott

CLICK on image to link to SAF & more images or read on below…

Day One unfolded in celebration of a range of curatorial and cultural risks taken [actual and potential], from large European and North American institutions through more wide-ranging, smaller and artist-led institutional initiatives to a single artist’s practice.

Judith Greer from the SAF gave a bold preface about the events that led to the removal of a piece of work from the Biennial last year swiftly followed by the removal of its Director Jack Persekian. It was a welcome account of what she described as “an extremely difficult time for us” which caused much reflection Continue reading “notes from a meeting – on commissioning and reconfiguring risk [day one pt 2]”

on a frieze review of ‘the country of the blind…’ with CAMP at folkestone triennial 2011

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2011 Folkestone Triennial

VARIOUS VENUES, FOLKESTONE, UK

Scroll down for review…

[NB Collaborations are a particular, demanding and beautiful form of work which I seem to have developed a taste for, at least in a visual art context and since 1997!

2011 was a year of varying forms of artful collaboration, each very special but none quite so intimate as this one for me; how it came about, whom it involves and the result of our efforts. To avoid the obvious-but-hideous potential problems of collaboration, a certain more or less unspoken [else endlessly detailed!] but deeply-shared approach to all-things essential is elemental. Continue reading “on a frieze review of ‘the country of the blind…’ with CAMP at folkestone triennial 2011”