note_18 On the work Abu Dhabi banned from Sharjah (Biennial) 2019? #DXB

Gold-tips in Abu Dhabi’s Emirates Palace Marina (GM-A, 2013)

Gold-tips in Abu Dhabi’s Emirates Palace Marina (GM-A, 2013).

(EXTRACT)

IMBECILIC CONTINGENT INTRUSION(4)*

Everything we know about ourselves and our various shared and not well-shared histories affirms that systems of hermetic control never work for long, that consolidation hastens collapse. The more autocratic the regime, the messier the collapse. I will leave all of that to time, which will operate unerringly.

Meanwhile, to demonstrate a simple truth, we are going to plant a forest in DXB’s Terminal 3. It’s easy. Those of us who know the place will return from various ports in carefully staged flights that betray no joint venture. We will all be either prevented from getting on a flight, stopped at and detained at DXB, or held in the Deportees Room for some hours. Two of us at least will get in—to the airport, not the country!—and overlap in the Room on ROLEX time. We will take our allotted hour to find food in the Terminal and head up to our Costa rendezvous. We will have seeds of trees with us. We will be carrying gorgeous presentation boxes of fertilised roals or figs, like the kind from Aliya Dates Farm that I recall from a leather-lined yacht in Abu Dhabi’s Palace Marina.

Gifts, you see. Gifts of the Rolla tree, the put-upon-banyans, these potent embodiments of hopes, wishes and dreams for change. Continue reading “note_18 On the work Abu Dhabi banned from Sharjah (Biennial) 2019? #DXB”

note_14 On reading Agustin Fernandez Mallo’s Nocilla Trilogy in DXB’s Deportees’ Room

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DUBAI INTERNATIONAL (DXB) Connecting the World

As Nocilla Lab, the third part of Mallo’s Nocilla Trilogy is published by Fitzcarraldo Editions in the UK, I kick myself for not conjuring the time to review it or celebrate the Trilogy in critique. Also for not yet even trying to read Mallo’s more recent Trilogía de la guerra (Seix Barral, 2018) in its original, despite it appearing last summer. I’m buried, properly, in my own manuscript (RR) which is very close to completion. Horizons lift in 2019 and I will be writing shorter critical pieces, once more, amongst other things…

portada_trilogia-de-la-guerra_agustin-fernandez-mallo_201802071134Mallo’s Dream and Experience are as good as each other in the suggestive vitality of their fragmentary form. They possess rare degrees of necessity and are, in the best sense, a minor literature, which means that you’ve not been reading at all if you’ve not read them yet! Put aside the Jo(h)nathan-literature, knowing you’ll miss nothing if you return to it in the future. Nocilla Lab works towards graphic elements in my 2009 Punto de lecture edition, which I struggled to bring alive with my old (LA) Spanish…

I was (re-)reading Mallo en route to a Residency in Sharjah, January-February 2017, and resisting the serial, fragmentary, and fictive, as ways to make the book I would start writing when I returned home two months later (with further Porting residencies scheduled for Aug 2017 and Feb-Mar 2018). It was not that a series of fragmentary texts with rhythmic associations would not be a natural way for me to write my river (an actual river, more of which to come). Continue reading “note_14 On reading Agustin Fernandez Mallo’s Nocilla Trilogy in DXB’s Deportees’ Room”

on the first review of in ramallah, running in 2013 -artasiapacific’s almanac 2013

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In Ramallah, Running in Almanac 2013 – article below

I will catch up on posting the wonderfully generous critical responses and cleverly probing interviews to and around In Ramallah, Running since its launch soon -and amongst other things.

ImageBut this one was a lovely welcome home to London after a month away in India: a sharp, perceptive and very gratifying response to my book and I have to post the review now!

That should not imply that others were not and will be, only that I have the time/opportunity today…

Almanac 2013 is worth tracking down in full and hard copy too by the way, meanwhile I attach clickable pages from the full article below: Continue reading “on the first review of in ramallah, running in 2013 -artasiapacific’s almanac 2013”

on celebrating the launch of in ramallah, running with a panel at the mosaic rooms 25th october

More details: http://www.mosaicrooms.org/in-ramallah-running/

In Ramallah, Running began with a writer’s residency at A.M. Qattan’s Ramallah base in 2010, so it gives me great pleasure to invite you to this launch-related event at al Qattan’s elegant Mosaic Rooms in London, part of the Nour Festival.

Intended as a celebration, it will include a short reading followed by a discussion with the esteemed critic and introducer of the book Jean Fisher, and the Abraaj Prize-winning Jananne al-Ani, whose contribution to the book is so subtly affective. The panel will be chaired by writer and critic Sheyma Buali of Ibraaz, etc. [  http://www.mosaicrooms.org/in-ramallah-running/  ]

I hope you’ll be able to join us and am sure The Mosaic Rooms would appreciate it if you were also able to RSVP: rsvp@mosaicrooms.org / 020 7370 9990

For interviews, early reviews and further UK events, check here: http://www.g-m-a.net/index.php?/ramallah/news/

on the publication date for in ramallah, running, july 26th 2012

In Ramallah, Running by Guy Mannes-Abbott – July 26 2012

A brief word to celebrate the release of my book at last!

I’m attaching a copy of the Press Release which went out today with details about the book and its contents as well as contacts for review copies and further information.

In Ramallah, Running by Guy Mannes-Abbott | Press Release July 2012

I will update with news as well as details about a launch we will be having in early September, along with other readings, launch-related events, discussions and festival appearances in London, the UK and beyond.

More soon…

notes from a meeting, appendix 1. conversation: sejla kameric and i go east [to kalba]

Sejla Kameric 1395 Days Bait al Shamsi Photo G Mannes-Abbott

CLICK on image for more, or read on.

Sejla Kameric and I go East [to Kalba] 

March 2012 Sharjah UAE

1395 Days without Red is the Artangel-enabled film which received its regional premier in Sharjah. It comes in two parts; Anri Sala’s was shown indoors one evening, Sejla Kameric’s followed the next evening in an outdoor screening in Bait al Shamsi. Both are based on the experience of the 4-year long siege of Sarajevo [which began April 5 1992] and make different responses to it -while following a woman’s attempt to cross her city on foot. Continue reading “notes from a meeting, appendix 1. conversation: sejla kameric and i go east [to kalba]”