I have a short review of Parastou Forouhar’s recent exhibition at the Leighton House Museum, London in the new issue of Bidoun #23, Squares, whose contents are here. As ever; rush out and do yourself a favour! Or subscribe; you know you want to!
I haven’t seen the issue yet [19.01.11 Have now; looks good!], am curious to see how it’s been illustrated [see exhibition link above] and still finding my way with these short art reviews; the kind of exploration I remember from writing critically about books and with which I felt I made a break through in writing about a John Barth novel with similarly few words in late 1991 [and that evening/night helped a friend complete -well, did- a piece of work that quite quickly became art historical. Busy day! -and a small part of my next big writing project].
There is an art to writing short as well as writing to context that I’ve not mastered with visual art [much happier with essay length!] but I learnt something valuable from this attempt. I believe in doing it, most definitely, and was very gratified to be invited to write on PF or at all. I’ll try to explain myself. Continue reading “on surface and underscoring, parastou forouhar @ leighton house review in bidoun”
Shuruq Harb Wiki City 2010
“The highlight of this year’s Liverpool Biennial is the art from Palestine on show in Future Movements Jerusalem. It’s art made against the forcings of Occupation, about a city currently forbidden to most of the artists in the show.”
My piece about this excellent show has just been published here on Babelmed, a really admirable and completely independent ‘Mediterranean culture site’ based in Rome, which appears in English, Italian, French and Arabic editions.