Jason Moran is new to me, or to be precise he is twelve days old, thanks entirely to AM [yo!]…
I feel like Patti Smith is said to about hearing something new; wondersomely happy. ‘Break Down‘ is a great way in, from a remarkable album called Artist in Residence  and worth digging behind for more. For the moment I’ll only add that if, like me, you missed Ten, from 2010, then you should check out its compelling blend of forms and inspiring newness… [RFK In The Land Of Apartheid, to Crepescule with Nellie thru. The Subtle One and on.]
Else, all I’ll say now is Continue reading “on now, breaking down jason moran [america]”
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I loved Godard’s new film on a first screening, with it’s refining of his late style towards pure -open/ambiguous- image [and away from the courts of filmedbook and bookedfilm]. I love it even more for having provoked grown boys to walk out of the screening at Cannes annoyed at the ‘lack’ of American cinematic narrative and even the abbreviated subtitles/quotes -so sure are they of the reliability of the English language in an age of peasprocess and warterror. It’s genuinely funny to observe what upsets people like this when their expectations have sedimented so completely and they’re forced to face it.
In general I’m bored by cameo appearances in clever films by unlikely-but-credible people, yet Patti Smith [who is fallible too, btw] being on board for Godard’s mystifying journey was a real surprise and therefore to be celebrated. I look forward to Film Socialisme getting a good run at its London launch -ha! Godard says it’s his last film; not so funny.
Jonathan Romney is solid and true as ever in a short description for the LFF here.
The Village Voice ran a good piece here; “if you care about a living cinema, a cinema that asserts a blistering, confounding present even as it freights the past, then you should not be walking out on Jean-Luc Godard.”
More to come…