note_15 On Maria Gabriela Llansol’s The Geography of Rebels in Graz; locating a nonviolent image…

LlansolNonviolence

From the Portuguese original of Llansol’s Geography of Rebels

In lieu of writing critically about Maria Gabriela Llansol’s first ever publication in English; The Geography of Rebels, from Houston’s Deep Vellum, I’m posting this sly reference (below, plus). However, as I said re Mallo, these and some of 2019’s forthcoming books (mostly in translation), call out for serious, passionate, engaged, authoritative responses from writers. I hear the call and am going to be responding again after a long interlude.

Spend a life attempting to capture the resistant poetics of your existence (what/why else?) and you do gain special access to other writing. You’ll see right through most of it, but locate what magic there is, know and observe or instinctively recognise how it is done. It’s all in the writing. If you make original sentences or lines, then you know about each word, each in between, and all their potentialities.

Thus I detect a new Khaled Khalifa (Death is Hard Work: wow!), a forthcoming Vila-Matas, works on Mohamed Makiya or by Yasser Elsheshtawy (temporary cities in an Arabian context), but also intriguing books located more locally by E J Burnett, or Laura Beatty, etc. The call is urgent and easily matched by the urgent response that books pages call a review. Books pages tend to agree on what is important, especially viz work in translation, exceptions are treasured like monsoon rain. I almost always felt differently and it was a significant motivator in paying and generating attention to awkwardness, the resistant or ‘difficult’, complex or subtle, and the ‘foreign’ (work in translation not -generally- otherness filtered in English for the British market -who pull-up at all borders!). No apologies. Continue reading “note_15 On Maria Gabriela Llansol’s The Geography of Rebels in Graz; locating a nonviolent image…”

on surface and underscoring, parastou forouhar @ leighton house review in bidoun

I have a short review of Parastou Forouhar’s recent exhibition at the Leighton House Museum, London in the new issue of Bidoun #23, Squares, whose contents are here. As ever; rush out and do yourself a favour! Or subscribe; you know you want to!

I haven’t seen the issue yet [19.01.11 Have now; looks good!], am curious to see how it’s been illustrated [see exhibition link above] and still finding my way with these short art reviews; the kind of exploration I remember from writing critically about books and with which I felt I made a break through in writing about a John Barth novel with similarly few words in late 1991 [and that evening/night helped a friend complete -well, did- a piece of work that quite quickly became art historical. Busy day! -and a small part of my next big writing project].

There is an art to writing short as well as writing to context that I’ve not mastered with visual art [much happier with essay length!] but I learnt something valuable from this attempt. I believe in doing it, most definitely, and was very gratified to be invited to write on PF or at all. I’ll try to explain myself. Continue reading “on surface and underscoring, parastou forouhar @ leighton house review in bidoun”