note_13.1 Les Chiens Nauman/ tears in the rain in the context of catastrophe/ DG-F TH.2058

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My young connoisseur -or collector of urgent life-impressions and artful invention- has begun school-life so close to the TM that a liquid-chocolate balm combined with ‘two rooms’ has become a fixture in our lives. In the process, he has elevated El Anatsui to quite a pedestal, but I continue trying my best to broaden his horizons. Bruce’s revolving head, tick, Bruce’s Violent Incident, getting there, Bruce’s dogs, well; there’s time…

not the nauman obvOf course, these are not Les Chiens de Nauman. But those in the Art Room selection reminded me recently of their spirited precedents in Dominique Gonzalez-Foerster’s TH.2058. I was led there by a number of things; my own work-in-progress (articulating or #Rivering the Roding), and thus echoes of the river-beggaring I did floodplain-to-floodplain in Rotterdam; a ruined world of mud to be embraced with curiosity, reminded of that when receiving Defne Ayas’ archive of her WdeW years; Blessing and Transgressing; A Live Institute, which includes that first use of ‘rivering’ as a way of trying to articulate muddy-footed actualities with urgent recognitions of coming urban life, by a recent taste of DG-F’s work which reminded me of how much there is to enjoy and admire in it (esp. with a clear view of its span), close rubbing-ups against Vila-Matas (about whom much more some day, the writerly intimacies are too elemental. Dostoevsky once more or less literally saved-by-enabling my life, a very long time ago. V-M is a similar interior intimate on an extremely short list). They, as you know, have been working together since 2007 (when only Bartleby & Co, perhaps Montano too had been translated into English), and so I found myself thinking about TH.2058, a work that has remained with me more as a puzzle, or query, than a settled memory, or answer. Continue reading “note_13.1 Les Chiens Nauman/ tears in the rain in the context of catastrophe/ DG-F TH.2058”

note_14 Go> Vincent Fecteau & Dominique Gonzalez-Foerster in Ldn -are these V-M? No!

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Two very nicely concentrated shows opened Thu 13 April at the same postal address; Corvi-Mora and Greengrassi in Kennington. Vincent Fecteau fills the downstairs gallery with plinth-mounted, moulded vehicular/ventricular sculptures in naturally-coloured paper maché paste (atmospherically béton brut) with organic elements secreted within or attached to them which are more affecting than that can possibly sound. Click through his gallery page here, to trace or remind yourself of his trajectory in London at least since 2000 (I didn’t document the show myself, gallery images are linked above though). This is art that addresses the elementary question of why we make objects or things at all. That’s what is going on with and through them; quiet, exacting necessity …

Dominique Gonzalez-Foerster, also gave a performance earlier in the week Continue reading “note_14 Go> Vincent Fecteau & Dominique Gonzalez-Foerster in Ldn -are these V-M? No!”