Shezad Dawood Framed Photo G Mannes-Abbott
CLICK on image to link to SAF & more images or read on below…
Highlights of other sessions included Samar Martha’s marshaling of interesting tales from the frontline of smaller organizations, including MASS, the space that Wael Shawky -Abraaj Prize Winner 2012- created from his old studio in Alexandria. Run on a shoestring, it’s now in its second year with twice as many students covering a wide age range. An inspiring story, presented by Daniella Rose King, I hope to watch it survive and flourish. This is when and how artists can generate step changes… Continue reading “notes from a meeting – on commissioning and reconfiguring risk [day one pt 3]”
Anne Carson Iceland 2009 [Photo Einar Falur Ingolfsson]
[Notes on Carson’s London reading of Nox, a couple of years after the last advertised event -in the wake of Decreation and also at SBC- was cancelled. They posted themselves raw a few days ago, here they are at least spell-checked…]
The first and easy thing to say about my obvious need to catch Anne Carson reading in London [Southbank Centre Poetry International Festival opening event Tuesday Nov 3] is that having gone only to see/hear the most significant poet in the English language actually read, perform, be in public the whole event was an instructive delight.
Carson was the last on of 6 poets, all of whom were worth seeing/hearing -if not memorable as such or as yet- but notable for me Continue reading “preface to epitaph, anne carson and nox in london nov 2010”
Oh the lengths I indulged to get a copy of this a few years ago! I love an excuse to return to Salter and his Paris Review interview from the Summer 1993 issue [127 The Art of Fiction no. 133] being online now is enough for me. Here’s a tiny bit of it extracted from my rather long essay [Meeting James Salter];
“In the Paris Review interview of 1993 Salter said “I’ve never had a story in The New Yorker, everything has been rejected.” Of the 11 stories in Dusk -half of which are classics of the form- 9 were rejected by The New Yorker. He didn’t think to submit the other two.
Continue reading “doing a mahatma, james salter’s paris review interview online”
I liked and admired Ben Sonnenberg [though can’t claim to be one of his many close friends, nor did I ever meet him]; a man whose mind encompassed [and published] Anne Carson, James Salter and Edward Said, who understood what money was for, someone who left his beautiful and brilliant Grand Street magazine as the model of a good mind at work.
This piece by Alexander Cockburn [here link updated Apr 2020. PDF added below] is a very warm remembrance of his friend Sonnenberg [1938-2010] following his memorial service in September, which I recommend to you:
“My favorite autobiographers in this century are Vladimir Nabokov, Theodor Adorno and Walter Benjamin.” A paragraph later he cited “my friend Edward Said,” whose savage essay “Michael Walzer’s ‘Exodus and Revolution’ – a Canaanite Reading” Ben had published in Grand Street in 1986.”
You might also dig up Salter’s account of Sonnenberg in Burning the Days; his much-admired aplomb in general and in the face of MS. Cockburn quotes Sonnenberg taking an elegant lance to The New Republic mag in 1989; oh for “puckish” courage of that kind today.
Continue reading “the model hip! hip! ben sonnenberg”
Cage a Swallow/Swallow a Cage was performed twice on November 6th at the Whitney, during their exhibition of Roni Horn AKA Roni Horn. It’s part of the work that AC did during her Residency at RH’s Library of Water in Stykkisholmur, Iceland.
I couldn’t make it, have been requesting a recording of it for some time and now it’s up on their site here (UPDATED 2Mar2018).
The page includes stills and a downloadable mp3 of about 25 mins, which may not be there forever…
Thanks, you Whitneys…
Transcription of the event follows; Continue reading “anne carson; cage a swallow can’t you but you can’t swallow a cage can you: a sonnet sequence for roni horn”