note_05 Wilson Harris (1921-2018) -an inadequate tribute from 1990 #polyhistoric

WilsonHarris Ph Eamon McCabe

Photo Eamonn McCabe (The Guardian)

While adding to Chapters_Essays and Culture_Crit, I’ve been discovering how much material there is -its drives and formations- and came across a very short double review from the New Statesman, September 1990. You can scroll a long way down the Culture-Crit page for those very early pieces. Please! This one (or these short paragraphs), on The Four Banks of the River of Space (the last part of Harris’ Carnival Trilogy published by Faber, like all his books), is not exactly a major critical work but does, in its concentrated little way, resonate with me. The G.’s obituary for Wilson Harris does too.

In 1990 there was still something called Commonwealth Literature, a peculiarly handy way of keeping peoples, histories and cultures in place. It’s tempting to write ‘Foreign and…’. Publishing was on the turn Continue reading “note_05 Wilson Harris (1921-2018) -an inadequate tribute from 1990 #polyhistoric”

notes from a meeting – on the small matter of everything [day one pt 1]

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SAF March Meeting 2012 Photo G Mannes-Abbott

CLICK image to link to SAF & more images or read on below…

Salah Hassan, venerable Cornell Professor, followed the UAE’s Minister of Culture in delivering a keynote speech. He began with an apology in Arabic; “as an African Arab” who has been “living in the Frank’s territories for a long time” and familiar with a certain “morphology of fear … please allow me to speak in English.”

I like a barb like that and it makes a point, excepting that we are in Sharjah where the simultaneous translation is excellent and I’d anticipated relying on it myself in 2012. A cusp, especially on a global scale, is always hard to identify [!] but I would suggest this might be an anxiety from before the cusp that, it seems to me, we all occupy. Not easily, not fully, not formally but actually… Continue reading “notes from a meeting – on the small matter of everything [day one pt 1]”