note_08 From Shumon Basar’s superhuman Couples Format; me on Gertrude & Alice #passionloveandwork

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Shumon Basar | Couple Format: The Identity Between Love and Work

 

“What was the identity between love and work,

or, the love found in working together?”

 

“Let’s draw focus on their passion: the love and work. The following is from Diana Souhami’s glorious book Gertrude and Alice:

‘“Our pleasure is to do every day the work of that day,’ wrote Gertrude, ‘to cut our hair and not want blue eyes and to be reasonable and obedient … Every day we get up and say we are awake today …’

… So we circle back to The Autobiography of Alice B.Toklas, which wasn’t of course an autobiography. What was it? […] Primarily, it was also an autobiography, but not of Alice. It was a biography: not one authored from outside, but from inside, albeit in another’s voice… I linger with this because while this is one of the most conventional prose-like works of Gertrude’s it is also properly strange. That is, Gertrude adopted Alice’s recognizable voice, exorcising as many Gertrudisms as she could identify, though not all, to write a memoir of her own life and times.”

-extracted from my text/talk COUPLING | Gertrude and Alice | July 2016.

Click through for links to Shumon’s piece and the Superhumanity project above and for the recording of the original event on G&E and Marina Abramovic and Ulay click my Readings_Talks button (where you can click on through to see/hear the other Couple Formats too).

note_06 On Edward Said Oct 2000 – At last, a genuine Palestinian authority

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This is just a short review of Said’s The End of the Peace Process: Oslo and After published by Granta, and circuitously critiqued and celebrated by me in The Independent, 3 October 2000. This paragraph struck me forcefully when I stumbled upon it; such rare qualities are getting rarer just about everywhere… However, rareness breeds rareness, right? When we lament the loss of Said’s voice, we also attest to it (mind/ rareness/ qualities) and renewed possibilities in the ruins. I am a radical optimist. You?

 

note_05 Wilson Harris (1921-2018) -an inadequate tribute from 1990 #polyhistoric

WilsonHarris Ph Eamon McCabe

Photo Eamonn McCabe (The Guardian)

While adding to Chapters_Essays and Culture_Crit, I’ve been discovering how much material there is -its drives and formations- and came across a very short double review from the New Statesman, September 1990. You can scroll a long way down the Culture-Crit page for those very early pieces. Please! This one (or these short paragraphs), on The Four Banks of the River of Space (the last part of Harris’ Carnival Trilogy published by Faber, like all his books), is not exactly a major critical work but does, in its concentrated little way, resonate with me. The G.’s obituary for Wilson Harris does too.

In 1990 there was still something called Commonwealth Literature, a peculiarly handy way of keeping peoples, histories and cultures in place. It’s tempting to write ‘Foreign and…’. Publishing was on the turn Continue reading “note_05 Wilson Harris (1921-2018) -an inadequate tribute from 1990 #polyhistoric”

note_04 “Mr Steinberg is mistaken.” Hannah Arendt: in witness time begins/ Per 1.1.-1.4

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“Harold, that girl in that office is nude!”

Another addition to Art_Work is ‘In witness time begins’ (plus footnoting pamphlets called Per 1.1-1.4) from A Thing at a Time at Witte de With April 2013. They emerged from an obsessive focus on a phrase coined by an Italian theorist (and/or his translator); “immobile anaphoric gesture”. But these texts are different from those I wrote a few years earlier using a Slovenian theorist’s phrase; “imbecilic contingent intrusion” in which I could materialise or exemplify what an ici would be (see Essential Things in Art_Work, for example, which exhibited Cerith Wyn Evans’ neon Lacanian loop between the ‘pages’ of my ici2, about Willie Lloyd Turner and his ‘smile’).

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Continue reading “note_04 “Mr Steinberg is mistaken.” Hannah Arendt: in witness time begins/ Per 1.1.-1.4″

note_02 Figuring Lesser Baghdadis (One to Seven) a “small collaboration” w Ala Younis 2015

TBA_2191_Panel small“One. Mickey Mouse is not one of the bronze figures that grace Jewad Salim’s “Nusub al-Hurriya” (Liberty Monument”, 1961) in Baghdad’s Tahrir Square…”

On the occasion of Ala’s first showing of her Plan for a Greater Baghdad (2015) at Delfina Foundation in London along with a new work; Plan for Feminist Greater Baghdad (installation view above; photo Tim Bowditch, courtesy DF and Art Jameel), I should share this text of mine (below in page by page pdfs) since it is not yet re-published in book form. It was commissioned as an independent text and explicitly not as a critique of the work itself. This was not because a serious critical piece on the work would not be good to read or write but because I wanted to extend my e.things essay form and write more broadly about subjects that I had some intimacy with over many years.

Figuring Lesser Baghdadis (One to Seven) belonged with another such text from 2015, Labouring One to Seven (Island of Terror) produced for Venice Biennale and e-flux journal‘s brilliant SUPERCOMMUNITY project, now re-published by Verso with an Introduction by Antonio Negri. The latter was explicitly the model for the former. It was also a “small collaboration” to use Ala’s phrase when we discussed it in 2015. Continue reading “note_02 Figuring Lesser Baghdadis (One to Seven) a “small collaboration” w Ala Younis 2015″

on the first review of in ramallah, running in 2013 -artasiapacific’s almanac 2013

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In Ramallah, Running in Almanac 2013 – article below

I will catch up on posting the wonderfully generous critical responses and cleverly probing interviews to and around In Ramallah, Running since its launch soon -and amongst other things.

ImageBut this one was a lovely welcome home to London after a month away in India: a sharp, perceptive and very gratifying response to my book and I have to post the review now!

That should not imply that others were not and will be, only that I have the time/opportunity today…

Almanac 2013 is worth tracking down in full and hard copy too by the way, meanwhile I attach clickable pages from the full article below: Continue reading “on the first review of in ramallah, running in 2013 -artasiapacific’s almanac 2013”