notes_25 BASQUIAT (nope, not).

(UPDATE; Next day, I am very unsure if this works; it’s intended to share these close ups/visual notes as lightly as possible. I may have failed! If so, please scroll down to the two ID mag links, which are excellent. I may delete this virtually private reflection on further reflection, and after all…)

Nope, not going to do that. That thing of taking up public space out there with nice-white-guy thoughts on Basquiat. I’ve had my (notional) chances after all! When Boom for Real came to London’s Barbican in 2017, after very few actual opportunities to write (the UK could not distinguish him/his work from the celebrity-gloss-at-a-distance around him/it), I realised it was too late. Definitely, definitively; I should not be writing about him or it, positively or negatively. No more white intros to be essayed. Tricky, but I’m not being nice about being a nice-white-guy, it’s just done (which ought to preclude publicly saying so nice-whitely at one’s next book event/or panel, no?).

The above applies even if nobody took up that space, btw. That’s another way of trying-but-failing in white niceness isn’t it? If you take up the space, you’ve done it again. Unthinkingly. If you don’t, then yes it may remain untaken-up because of the institutional prejudices of commissioning bodies, organs, institutions, editors, the whole deeply embedded (imperial) culture of it, but still: don’t! There’s no excuse. And, by the way, I don’t think I have nothing to say, or that what I have to say may not have value, or that I am not entitled to write/work/essay (vs so many other inherent constraints), and I’ve tried to not-say-so in drafts since 2017 (burning, thirsting)! Ideally, we will get beyond this horizon to a transformed/repaired form of commonworld, but for now it’s about whether, when and how. Oh, and who, did I mention who?

Continue reading “notes_25 BASQUIAT (nope, not).”

notes_24 “Aieeee-shaaaa”, a Potential History. Or, unlearning imperialism with Ariella Aisha Azoulay | TT

Azoulay has produced a unique handbook for the 2020s that details how, why, when and where to say no in the affirmative. Her greatest achievement is that, against the foreshortened horizons of a despoiling barbarism, she makes all our tomorrows thinkable.

Guy Mannes-Abbott – Third Text – April 2020

Ariella Aïsha Azoulay, ‘Potential History: Unlearning Imperialism’

Verso Books, New York and London, 2019
656pp, ISBN 978-1788735711

Guy Mannes-Abbott

Ariella Aïsha Azoulay’s Potential History: Unlearning Imperialism is almost double the size of my copy of Edward Said’s Orientalism and about half the size, in turn, of Karl Marx’s first volume of Capital. There are many nuanced differences across such a crudely mapped zone but the quality that all three share is a burning desire to change, to radically redistribute the world as it is, or appears to be. Azoulay’s six-hundred-page-long Potential History offers a liveable commonworld through exacting reparations and ends with a very short but insistent affirmation: ‘The potential is there’. [1]

Continue reading “notes_24 “Aieeee-shaaaa”, a Potential History. Or, unlearning imperialism with Ariella Aisha Azoulay | TT”