Posts Tagged ‘jean fisher’

on the comma, between ramallah and running and everything else

December 23, 2011

In Ramallah, Running due Feb. 28th 2012

Gertrude Stein didn’t think much of commas, you remember? I think a lot of Gertrude’s work and Gertrude herself, as Fruit Store regulars will know, but disagree with her about the comma.

Commas break-up, complicate, deepen, add dimension to statements and any prose that takes ‘sense’ for granted. They elucidate, make-difficult, render actual complexity. The comma in In Ramallah, Running does these and many other things for me…

Above is a graphic rendering of a tiny part of the cover-image of the book [actual cover image coming soon], in which the sticking-out comma sticks out!

Commas are inconvenient, never quite fit, force you to notice that which you might not, condense and disrupt [presumed, heh Adania?] sense, etc. They are abyss and peak, add crucial [a]rhythms and make for the elliptical.

Writing without these things is almost literally nothing…

on ‘in ramallah, running’ -it’s official; publication is february 2012 [updated]

July 13, 2011

In Ramallah, Running 2010′ by Guy Mannes-Abbott

Manuscript in first draft, 5 of 14 scrolls/parts

In Ramallah, Running is now contracted to appear in February/March 2012 with the smart and supportive Black Dog Publishing, more details/announcements to follow.

I’m very happy because the book was conceived and developed independently and will appear within the kind of urgent time frame that is appropriate to its subject and hard to achieve without compromise -or at all. I finished my 20,000 word series of e.things -a unique conjuring of place as well as the people of Ramallah and almost the whole open-air camp that is Ramallah District- in mid-September 2010 [after my Residency at al Qattan Foundation in Ramallah]. The series is made up of fourteen parts, alternating running within the limits of the city and walking out from it to, along, beyond and off limits, discovering how mobile they are. How they really work.

e.things as a form were crucial to this project because they’re the only way I could say what needed to be said. Often exhibited or published in a visual art context [with the best visual minds of my generation!], they’ve grown into a highly singular body of texts; the shortest of which is a single line called ‘go’ from 1997, the longest is this series; In Ramallah, Running. (more…)


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