Posts Tagged ‘francis ponge’

on a frieze review of ‘the country of the blind…’ with CAMP at folkestone triennial 2011

December 28, 2011

Issue cover

Issue 143 November-December 2011 

2011 Folkestone Triennial

VARIOUS VENUES, FOLKESTONE, UK

Scroll down for review…

[NB Collaborations are a particular, demanding and beautiful form of work which I seem to have developed a taste for, at least in a visual art context and since 1997!

2011 was a year of varying forms of artful collaboration, each very special but none quite so intimate as this one for me; how it came about, whom it involves and the result of our efforts. To avoid the obvious-but-hideous potential problems of collaboration, a certain more or less unspoken [else endlessly detailed!] but deeply-shared approach to all-things essential is elemental. (more…)

on odes to mud, utopian dust and insurrectionary trees

September 6, 2011

Francis Ponge [still from French documentary]

Primarily, this is a brief advertisement for CB Editions‘s irresistible bi-lingual edition of the great Francis Ponge; Unfinished Ode to Mud, translated by Beverley Bie Brahic in 2008. It’s a selection from what she has translated as The Defence of Things and Pieces, some of the latter being their first appearances in English…

So, firstly, please get hold of a copy of the book from the publishing miracle that is CB Editions whom, it’s worth knowing, work on very short print runs. I have no links etc., but urge you to take up their current offer here, while getting hold of this beautiful selection and give copies to people that you wish loved you…

‘Unfinished Ode to Mud’ itself, is also an ode to the Resistance (more…)

on the country of the blind in full detail & downloadability

July 13, 2011

The Country of the Blind and Other Stories Installation shots CAMP with GM-A Folkestone Triennial [ongoing]

CAMPuter.org now has a good page on the film here with cat. text, shot-lists, stills, credits… There’s also a link here to pad.ma where the film is archived…

But I strongly recommend heading down to Folkestone, not only to see the film in situ where it’s installed beautifully and offers optimised-viewing, but also to see all the other art on show throughout a fascinating town. The harbour tastes irresistible and in the pubs on the water  front a version of the film is always looping…

Folkestone Triennial’s page is here and they have weekend tours conducted by some high calibre guides not least this weekend with Achim Borchardt Hume here. It takes 53 minutes to get there…

Thanks everyone for the positive feedback.

sharjah biennial 10, petition update

April 21, 2011

I’m ‘hosting’ this update because I want to support all those who made Sharjah Biennial 10 such a particularly special, even unique event across a wide range of activities and forms.

I’m framing it because these are not my own words, however close I might feel to their plea. I understand and sympathise with the dismay and indignation as well as the urgent hopes expressed that some transparency about what happened, an articulation or plausible narrative will emerge soon. Often The How is as important as The What -something which an unrelated campaign I’m involved in at home in London reiterates strongly.

Credibility is everything; very hard to achieve, impossible to fake, priceless to possess, lost very quickly -and then really hard to recover if at all…

PR, on the other hand…

[continued below...]

[ENGLISH] Dear friends and colleagues,

Following the abrupt dismissal of Sharjah Art Foundation’s Director, Mr. Jack Persekian (more…)


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