Posts Tagged ‘artschool palestine’

‘i am running in ramallah and it is painful…’ at SALT galata 06.04.12-08.07.12

April 24, 2012

Translated By in a new configuration and new location. I’ve not made it yet but hope I might. There is also a new version of the book, edited by Shumon, Charles and Suna Kafadar and designed by Zak. I’ve not seen it yet, etc.!

Meanwhile, In Ramallah, Running has been painful too, but advances are promised by the publisher very soon now and I will of course share confirmed publication and other dates when I have them. Meanwhile, very good bound proofs are available for review and related purposes. Contacts are here in the pdf button at the top. Be in touch!

notes from a meeting – on commissioning and reconfiguring risk [day one pt 3]

April 6, 2012

Image

Shezad Dawood Framed Photo G Mannes-Abbott CLICK on image

on in ramallah, running – cover artwork, advance info., etc.

March 2, 2012

In Ramallah, Running cover artwork – click on image to expand

In Ramallah, Running

Guy Mannes-Abbott

Edited by Guy Mannes-Abbott and Samar Martha

Introduction by Jean Fisher

Contributions from Jananne al-Ani, Francis Alÿs, Najwan Darwish, Emily Jacir, Olaf Nicolai, Paul Noble, Khalil Rabah, Adania Shibli, Mark Titchner, Sharif Waked.

Co-produced by ArtSchool Palestine & Sharjah Art Foundation

Published by Black Dog

“I read it in one breath. A cunning simplicity of writing the complexity of today’s Palestine, through the alleys, roads, streets, hills, valleys, days and evenings in and around Ramallah, charged me with love of the art of writing, of Palestine… You showed me my place and made me hear my story. I loved the piece without limits.”

Mourid Barghouti, Palestinian Poet and author of classics memoirs; I Saw Ramallah & I Was Born There, I Was Born Here.

In Ramallah, Running represents Guy Mannes-Abbott’s uniquely personal encounter with Palestine, interweaving short, poetic texts with exploratory essays. International artists and prominent writers have been invited to respond both directly and indirectly to the texts with newly commissioned works.

The principal text is a series in 14 parts, alternating running within the limits of the city and walking out from it to, along, beyond and off limits, discovering how insidiously mobile those limits are under Occupation. With singular style and compelling force, Mannes-Abbott generates a very special intimacy with a rarely seen or experienced Palestine; the actual place itself, the people in their place.

Jean Fisher contributes a substantial introductory essay, while the poet and critic Najwan Darwish and novelist Adania Shibli have written further captivating responses. Visual contributions include a project linked to a pair of paintings by Francis Alÿs, drawings of stoney aridity with ambiguous structures by Paul Noble, and a searingly intimate journal-based piece by Emily Jacir. Jananne al-Ani, Khalil Rabah and Mark Titchner contribute varying photography-based projects focused on the place and its relationship to the body and word. Olaf Nicolai contributes an angular text-based project and Sharif Waked highlights the abysmal ambiguities of the political context.

In Ramallah, Running
Paperback
160 pages
32 colour plus b/w ills
26.0 x 19.0 cm
10.20 x 7.5 in
ISBN 978 1 907317 67 5

NB: Advance proofs of the book have arrived and are really quite beautiful (more…)

on the comma, between ramallah and running and everything else

December 23, 2011

In Ramallah, Running due Feb. 28th 2012

Gertrude Stein didn’t think much of commas, you remember? I think a lot of Gertrude’s work and Gertrude herself, as Fruit Store regulars will know, but disagree with her about the comma.

Commas break-up, complicate, deepen, add dimension to statements and any prose that takes ‘sense’ for granted. They elucidate, make-difficult, render actual complexity. The comma in In Ramallah, Running does these and many other things for me…

Above is a graphic rendering of a tiny part of the cover-image of the book [actual cover image coming soon], in which the sticking-out comma sticks out!

Commas are inconvenient, never quite fit, force you to notice that which you might not, condense and disrupt [presumed, heh Adania?] sense, etc. They are abyss and peak, add crucial [a]rhythms and make for the elliptical.

Writing without these things is almost literally nothing…


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