Dangerous Curves [iphone Guy Mannes-Abbott]
Archive for the ‘the visual’ Category
on ‘in ramallah, running’… it’s coming it’s coming it’s coming!
October 11, 2011on whit stillman, back with another film on the fly [& more thoughts on filming dance steps...]
September 20, 2011
Barcelona by Whit Stillman - let’s choo choo!
Let’s hope that Whit Stillman’s new film Damsels in Distress is actually distributed in the UK. It’s true that he makes films with lots of words in them when that is almost a capital offence… Stillman’s films are literate and digressive [not theatrical, as in filmed theatrical dialogue] in ways that makes him a radical in contemporary English-language cinema. Yes, he films people actually talking, even discussing things; insane!
I love Whit Stillman, (more…)
on pointing out things, tom molloy in conversation with hammad nasar clip
September 17, 2011Tom Molloy Interview from Rubicon Gallery on Vimeo.
See Green Cardamom here.
See my notes from Sharjah Biennial on Tom’s work here [with more images]
on thek in london and horn in london too [a bit more]
September 9, 2011
When did you last stand before a work of Paul Thek’s? It’s a difficult thing to do in London, unless you’re a smart collector who already owns the work, that is! I’m not sure that collectors, smart or otherwise, find their way to the Fruit Store, but if so then welcome; you come at a good moment! (more…)
on thek’s studio [peter hujar] and recent roni horn opening simultaneously [almost]
September 5, 2011
on some late summery art in london town, miro, emin, twombly/ poussin/ dean, and cage
August 31, 2011
Edwin Parker by Tacita Dean 2011
My little friend and comrade has enabled me [firmly embedded in London for the summer] to catch up on some exhibitions missed, ones I might not get to otherwise and other big-ticketish shows; Miro at Tate Modern [to Sept 11], Emin at the Hayward [now ended], Twombly and the other guy at Dulwich [to Sept 25], Cage back at the Haywood [to Sept 18], etc.
To have so full a show of Miro in London is a privilege and I was beginning to think I’d miss it, despite looking forward to it for a year, from sheer lack of time. (more…)
on ‘in ramallah, running’ -it’s official; publication is [NOT!] february 2012 [UPDATED]
July 13, 2011
‘In Ramallah, Running 2010′ by Guy Mannes-Abbott
Manuscript in first draft, 5 of 14 scrolls/parts
In Ramallah, Running is now contracted to appear in February/March 2012 with Black Dog, more details/announcements to follow [24.04.2012 UPDATE: publication pushed back into summer 2012, watch for update very soon].
I’m very happy because the book was conceived and developed independently and will appear within the kind of urgent time frame that is appropriate to its subject and hard to achieve without compromise -or at all. I finished my 20,000 word series of e.things -a unique conjuring of place as well as the people of Ramallah and almost the whole open-air camp that is Ramallah District- in mid-September 2010 [after my Residency at al Qattan Foundation in Ramallah]. The series is made up of fourteen parts, alternating running within the limits of the city and walking out from it to, along, beyond and off limits, discovering how mobile they are. How they really work.
e.things as a form were crucial to this project because they’re the only way I could say what needed to be said. Often exhibited or published in a visual art context [with the best visual minds of my generation!], they’ve grown into a highly singular body of texts; the shortest of which is a single line called ‘go’ from 1997, the longest is this series; In Ramallah, Running. (more…)
on the country of the blind in full detail & downloadability
July 13, 2011
The Country of the Blind and Other Stories Installation shots CAMP with GM-A Folkestone Triennial [ongoing]
CAMPuter.org now has a good page on the film here with cat. text, shot-lists, stills, credits… There’s also a link here to pad.ma where the film is archived…
But I strongly recommend heading down to Folkestone, not only to see the film in situ where it’s installed beautifully and offers optimised-viewing, but also to see all the other art on show throughout a fascinating town. The harbour tastes irresistible and in the pubs on the water front a version of the film is always looping…
Folkestone Triennial’s page is here and they have weekend tours conducted by some high calibre guides not least this weekend with Achim Borchardt Hume here. It takes 53 minutes to get there…
Thanks everyone for the positive feedback.
on an art of two-sides, mathaf interference at ICA
July 12, 2011
Shumon Basar and Jack Persekian Wash Hands…
Jack Persekian’s performance of Nablus Soap at the ICA, as part of the Mathaf’s Interference weekend, was brilliant.
The work takes off from a show he put on with Mona Hatoum back in the early days in Jerusalem. It recounts that earlyness, the basic space, cold and uninviting and the process of arriving at the piece -Present tense [1996]- by Mona H., its installation and the historical context of a disastrous willingness to compromise with Occupation in the form of ‘Oslo’. An apologetic Abu Amar is scratched-in which raised a big laugh and the whole piece is damn fine, not least as testament to Nablus.
As Jack and Shumon talked, the film was paused on one of the many Occupation watchtowers that terrorise the Palestinian Hills, lest any of us forget the bloody stain it represents… (more…)
on cy and elias, death and a new novel
July 6, 2011
Suma Cy Twombly 1982
Cy Twombly was on my mind only last week as I worked on a short review of Elias Khoury’s new novel, As Though She Were Sleeping [MacLehose Press]. Khoury’s writing is highly distinctive and there are good literary cultural reasons for that, reasons I sketched in an interview based piece in 2005 for The Independent. Reasons I can’t keep on repeating, so I was trying to think of another way to describe his scratchy seeming but endlessly recircling, reconfiguring, rhythms of ideas, lines and words and a particular image of Twombly’s would not leave my mind. (more…)
